Citing the seminality of Daniel Pinks book, A Whole New Mind, and averring that being in Santa made her wish to belt out the Atchison-Topeka-and Santa Fe lyric as the train rolled into the Railyards – Metropolis Magazine editor in chief Susan S. Szenasy opened a panel on Empathy and Technology offering this thought. “What we need right now is creativity, analysis, ideas.” Speaking to a roomful of interior designers, More …
The Santa Fe-based Virtual Dinner Guest project is only in its first year, but its conception traces to 2007 on the West Bank. There, during a five-month field practicum in international conflict resolution while taking his master’s degree, Eric Maddox first began to consider the role of direct dialogue on cross-cultural understanding. The result of that trip is Maddox’s 48-minute documentary film, 48 Generations, for which Maddox interviewed older-generation survivors More …
“Miami Dolphins or the Houston Texans?” the host asked Azalea. “Houston Texans,” she answered considering that that was the crew that Hopkins performed for then. “Are we courting, what is actually the condition?” the host questioned. “Yeah, we are in a relationship,” Azalea responded. But once more, a thing must’ve transpired among that job interview and the next day, for the reason that that’s when the blonde hip-hopper gave absolutely More …
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Editor’s Note: This opinion piece in favor of El Rio and affordable housing by affordable-housing proponent Daniel Werwath was solicited by Ellen Berkovitch for AdobeAirstream. Invitations were also extended to opponents of the project who have been vocal on Facebook. No one accepted the invitation to write the alternative point of view. An investigative article, Santa Fe Land Use, The Past and The Future, was published here in April and can More …
mother-skin multimedia installation Exhibited at Peters Projects Santa Fe, NM 2015 Undergraduate BFA Thesis, SFUAD Woman’s, daughter’s and granddaughter’s hair twines and is bound tightly, crossing mitochondrial DNA and matrilineal memory in the making of mother-skin, showing in form what is present in mind: the undeniable intermingling of identity and history between mother and daughter. For two years I collected my hair, pulling it from brushes, shower walls, fingers More …
As I drive toward Calle Comercio from Siler Road to see Utilities, the first exhibition by curator John McKissick at Radical Abacus, I’m struck by my readiness to conclusion over experience, a sort of a priori compound gamble in which an attitude of expectation risks pre-determining both vision and response. There are invitations on Facebook to events in this part of the town much, much more frequently now. There are Java More …
Santa Fe arts collective Meow Wolf has successfully funded House of Eternal Return on March 2nd through a Kickstarter crowdfunding campaign. 880 donors pledged $105,221, 105% of the organization’s $100k goal. This new spate of funding follows on a $150-a-head fundraising gala at the Scottish Rite Temple in Santa Fe and a $25,000 first-place award from Creative Startups Albuquerque in the fall. Game of Thrones creator George R.R. Martin, who More …
The four members of Postcommodity collective are Raven Chacon, Cristóbal Martínez, Kade L. Twist and Nathan Young. Raven Chacon lives in Albuquerque, Kade Twist in Santa Fe. Cristóbal Martínez, who was raised in northern New Mexico, is finishing his PhD at Arizona State University. He will be defending his dissertation in the art galleries at Scottsdale Museum of Contemporary Art, near the collective’s exhibition titled southwestNET: Postcommodity, sometime during the More …
As Prospect.3 gets under way in New Orleans (opening to the public on October 25th), the state of the conversation about contemporary art biennials keeps re-telling a story of the festival staircase and the critical railing that biennials have to ascend and grasp at the same time. Biennial or bust? (“What’s the point?” wrote the Art Newspaper in 2011.) Battle of the Biennials ensued in The Economist in 2012. The issue had actually gotten More …
The sprawling industrial holdover in the heart of Albuquerque remains a 27-acre question. The former Atchison, Topeka and Santa Fe Railway complex has appeared in blockbusters like The Avengers and Terminator Salvation, standing in as a symbol of apocalyptic burnout. The vast structures, the checkerboard of broken and unbroken windows, the grid of steel beams—they’ve also featured prominently in many a local high school student’s Photo I portfolio. It’s testament More …
Drunktown’s Finest takes you to Navajo and into a knot of intersecting lives. It’s a mosaic of compounded anguish, for which a grim ending seems predestined. Perhaps, for some lucky folk, it’s not always inevitable. That’s as reassuring a message as we can take from director Sydney Freeland’s amateurish melodrama, which premiered at Sundance 2014. (The movie which was six years in production and raised partial funds on Kickstarter, was shot in More …