The Artist Is Present, with Doubt
In the late 1960s in Belgrade, Marina Abramović began thinking up rebellious unrealizable performances for public spaces, just as President Tito began thinking he would ease social restrictions by turning a former police station into a cultural center for student demonstrators to make art in. I turned 10 in 1970 and the dissonance of the times was (briefly) lost on me. In 1975 in Amsterdam Marina met Ulay (on their More …
