Denver has an Electronica scene that began really developing about a decade ago and now has fully reached Tesla coil-wave level. Whether you like your beats in underground warehouse parties or in the slick and trendy downtown techno houses that have flown in the hottest DJ from one of the coasts for the evening, theres always dozens and dozens of Electronica happenings going on every weekend – and those are More …
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Rich donors are to shiny new art museums what electricity is to Teslas. In San Francisco, companies like the Gap (founded 1969) and Apple Computer (1976) seized the new American economy and mindset well before the first dot-com boom. Doris and Donald Fisher, who founded the Gap and began collecting art to hang in their offices in the late 1970s, have top donor billing at SFMOMA’s reopening, with 260 collection works More …
On the surface of CURRENTS new media festival, that’s what there is: surface. Surface flexes the critical joint of a festival full literally of viewing screens. The surfaces receive 2-D projections, but today viewers can walk around wearing Google Glass or other spymaster technology to trick our brains into 3-D seeing. Here’s a new, but old, saw: If I need a joystick to see better, what I see better make me care very deeply, More …
Phil Space in Santa Fe was the site of a pop-up performance/installation by Hannah Hughes on March 21st and 22nd. With the cheeky run-on title Kawashokachakraboom, the piece consisted of a parked circle of Kawasaki motorcycles in various states of dented obsolescence, two tilting video monitors, a bamboo plant bedded in old tires, and three young women practicing yoga poses in sparkly slip-dresses. While one lay inanimate amid the tumble practicing More …
Our age has a “my sister-my daughter” relationship with celebrity. Is it our twin or our spawn? An interesting question deals not in the obvious worshipful condition, but in how to define a role – and a difference – for art objects in an image- and celebrity-inebriated society like ours. Walter Benjamin wrote the famous Mechanical Reproduction essay back in 1928, but even a seer like him couldn’t forsee Steve More …
When I first heard about RAW it sort of sounded like the arts version of the “McIndie with a side of cheese fries please” but that was coming from my expectation that it was just another piece of corporate ballast dropped over the side for a tax write off. However, for the interesting plot twist we are all looking for, RAW is an independent organization pushing up and not a More …
Le Chat Lunatique (whose name was loosely inspired by a “Beware Of Attack Cat” sign spotted on a French garden gate by LCL guitarist/vocalist John Sandlin) is a four piece experimental avant-garde Gyspy Swing (also known as “Jazz manouche”) band from New Mexico. They take influences from the French (Mainly Django Reinhardt and Stephane Grapelli) and Italian styles as well as Latin jazz and Western Swing. They are as improvisational More …
I first wrote about James Drake for a catalog essay accompanying his 2005 City of Tells show at SITE Santa Fe. His monumental charcoal drawing, City of Tells, combines into a scroll-like mural the manners of Drakes closest friends, who include the artist Bruce Nauman, the Nobel laureate in physics Murray Gell-Mann, writers dead and alive, family members and vast deserts. All unfold in a sweepstakes of time memory and More …
On the Santa Fe Plaza April 13 I suggested to Jeremy Deller that his trailering a bombed Iraqi car across America was a Ballardian act. “Ballard! hes a genius, hes crazy genius”, enthused Deller. We talked about the writer we both admired, neither Jeremy nor I imagining that prostate cancer would kill Ballard within the week. (Ballard died April 19, age 78.) Reading Robert Smithson first turned me on to More …