The Truthiness Show, Part 3: Minneapolis Mayor R.T. Rybak On Art and More Real Life
May 11, 2013
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    • Untitled Film Still #25, 1978
      Best of 2012: Art Talk
      December 30, 2012, 2 Comments

      My Film Stills Are Still Big. It’s the Walls That Have Gotten Small.” I somehow managed to see the Cindy She ...

    • negativland_2
      Guest Post: Hacking and Alt Economies at ISEA2012
      October 22, 2012, No Comments

      Upon entering the ISEA2012 main  exhibit venue, the Albuquerque Museum, I felt as though I was in a more intellectual, ...

  • talismans
    Consensus “Has Failed”: ISEA2012 Artist Marina Zurkow on Gila 2.0, Animals and Land
    October 5, 2012, No Comments

    Marina Zurkow is a Brooklyn-based artist who makes media works about humans’ relationships to animals, plants and the ...

  • Video still from Ant Farm's Media Burn, 1975
    Rediscovering Ant Farm’s Media Van: The ISEA2012 Blog
    October 1, 2012, 1 Comment

    Loading up on the 7:13 am train last Monday to get to the KiMo Theater in time for Chip Lord’s Ant Farm session (o ...

  • Result_ConvVH_mod
    Rocket Scientists on “Big Data” and Representing Things: The ISEA2012 Blog
    September 27, 2012, 1 Comment

    There’s got to be a joke in here somewhere. An astro-physicist walked into a room full of artists. Name of Roger M ...

  • Christiaan Zwanikken_The_Good The Bad and the Ugly
    ISEA2012: Electronic Art Meets Humanism. Plus: Dana Falconberry
    September 24, 2012, 1 Comment

    Podcast (a2mediastream): Download ISEA2012 Albuquerque: Machine Wilderness runs through September 24, 2012, with a conti ...

  • Pic001_1_2_2
    A Performance Preview of ISEA2012: Machine Wilderness
    September 13, 2012, No Comments

    When ISEA2012: Machine Wilderness opens in Albuquerque on Thursday, September 19th, some performative and heady interna ...

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  • The Great Gatsby – Part Bonfire, Part Moulin Rouge 2
  • The Truthiness Show, Part 3: Minneapolis Mayor R.T. Rybak On Art and More Real Life
  • SITE Santa Fe Announces Biannual Series on Art of the Americas, Tilts on North-South Axis
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