Last Thursday, some of my favorite local bands gathered at the Mohawk for an Attendance Records benefit/CD release party. Over the last six months, The Sour Notes have been telling me about their specific participation in …
With an impressive line-up of over 50 bands on four stages — including Sleep Over, The Long Tangles, Shakey Graves, The Boxing Lesson, Schmillion, The Zoltars, One Hundred Flowers, Crack Pipes, Elaine Greer, Lean Hounds, Bad …
In addition to The Revisionaries (check out David D’Arcy’s review), the 2012 Tribeca Film Festival (April 18 – 29) featured a slew of other top-notch documentaries (the narrative film selection was not bad either). Here is …
Produced and curated by The Reverberation Appreciation Society (Christian Bland, Alex Mass, Oswald James and Rob Fitzpatrick) and co-presented with The Black Angels, Austin Psych Fest (April 27-29) showcases mind-expanding music of both vintage and modern …
The Dallas International Film Festival presented by Boardwalk Auto Group Volkswagen Dealers will run April 12 – 22. DIFF celebrates its 6th year with 111 films representing 27 countries, 5 World Premieres, 1 North American Premiere, …
I have never written about a bar and/or music venue before, so this feels a little strange and awkward. But, you know what? I really don’t care. You know why? Because Cheer Up Charlie’s is one …
The Early Stages — no, they are not a Marillion cover band — are part of a long-standing sub-genre of the American underground/alternative/indie/college rock scene that exists thanks to the undeniably strong influence of The Velvet …
Unlike the Academy Awards and Golden Globes — which both seem to deny the existence of talented female filmmakers — SXSW Film tends to feature an amazingly strong array of female filmmakers in their program each …
Armed with a globe and a bag loaded with cans of Lone Star, a beery Bob Ray (Hell on Wheels) delivers us into Slacker 2011 on a bus. Ray hops onto a pedicab and commences a …
Montréal-based musician Claire Boucher fascinates me. Born in 1988, the story goes that Boucher had very little exposure to music until she was 18-years old. This childlike naiveté lends her approach to music — via the …