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Leon Golub’s Tyrant Redux In Butcher-Shop Colors
As I sit down to write this essay (May 2018, Santa Fe) a cartoon balloon pops up on More …
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Jordan Casteel at New Museum (Feb. 2020)
This post was originally written in February 2020. It is relevant now to our audience because Jordan Casteel, More …
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Past Is (Was) Prologue in Dystopia Files
“Interactions between police and protestors” starting at the World Trade Organization meetings in 1999 is how artist Mark More …
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Abstract Expressionist Women at DAM in Review
The 2001 edition of The 20th-Century Art Book defines Abstract Expressionism as a post-World War II art movement in American painting, More …
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Currents New Media Festival in Review
Currents New Media Festival this year augmented what new media artist Julia Scher has called “appearances in screens” More …
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SFMOMA Cruise Ship Makes Port With Trophies Aboard
Rich donors are to shiny new art museums what electricity is to Teslas. In San Francisco, companies like the More …
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New Topographics in Santa Fe
On Friday, January 29th, 2016, Caterpillar announced the closure of its Santa Fe factory. In a move to More …
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Susan York at the O’Keeffe Museum
Most of the time one doesn’t think of painting as volume, because a volume implies a third dimension. More …
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How to View the Mexican Revolution
In the photograph “Felicistas in the YMCA,” snipers crouch near a window in a rubble-strewn room and train More …
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Nick Cave on Practice, Performance and Violence
Twigs are unassuming, irregular, trodden-upon nuisances to be swept up with the leaves in the fall. However, in More …
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Postcommodity Threads Indigeneity into Border Narrative
The U.S. Border Patrol presence in and around Douglas, Arizona, is so ubiquitous that it’s banal. Even an More …
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John Connell: Works and John Connell: Earth-Touching Buddha, A Review
Coming face to face with John Connell’s art, both in person and in reproduction, imparts a sense of quizzicality. More …
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