about which fairs had been worthwhile for dealers. One could gossip a little about which paintings were in demand by unnamed museums, specifically a Bolivian-Peruvian painting showing colonizers training arrows on boldly feathered Inca warriors.

As I sit down to write this essay (May 2018, Santa Fe) a cartoon balloon pops up on More …

The idea for re-launching a newer version of this site has been afoot for a while, at least More …

This post was originally written in February 2020. It is relevant now to our audience because Jordan Casteel, More …

“Interactions between police and protestors” starting at the World Trade Organization meetings in 1999 is how artist Mark More …

Currents New Media Festival this year augmented what new media artist Julia Scher has called “appearances in screens” More …

Rich donors are to shiny new art museums what electricity is to Teslas. In San Francisco, companies like the More …

Most of the time one doesn’t think of painting as volume, because a volume implies a third dimension. More …

Coming face to face with John Connell’s art, both in person and in reproduction, imparts a sense of quizzicality. More …

As I drive toward Calle Comercio from Siler Road to see Utilities, the first exhibition by curator John More …

“It’s very hard to tell the difference between the set of Desperate Living and the De Vargas Hotel.” More …